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Mathieu Drouet

Mathieu Drouet

Mathieu Drouet — self-portrait

Mathieu Drouet is a French photographer based between Lille and Valencia.

While his choice of subjects is often the fruit of his encounters and travels, he shapes his projects with precision, balancing the tenuous thread between instinct and reflection. Memory, history, and transmission — particularly with regard to family — are the guiding themes of his work. His main influences include Nan Goldin, Alec Soth, Stephen Shore, and Joel-Peter Witkin.

After taking up photography in 1989 with his grandfather's camera, he further developed his practice when he enrolled at the agricultural college in 1992. He reproduced the style of photographers he liked, such as the contrasting black-and-whites of Anton Corbijn, whose aesthetic he likened to the world of fanzines.

The following year, at the Guy Mollet college in Arras, he took over the photo lab, which gave him access not only to equipment but also the opportunity to take portraits of figures such as Annie Ernaux and Moebius when they visited.

In 1993, while already documenting the local rock scene, he took concert photos upon request of the event planner at MJC du Pharos in Arras, then at Le Grand Mix.

In 1997, he entered the Saint-Luc Institute (Tournai). Although he decided to quit school after a year, he learned about the works of photographers who continue to influence him to this day.

After taking a break for several years, Mathieu Drouet returned to photography in the late 2000s. Together with a friend, he founded an agency specializing in wine and music, became the head of photo production for the Dour Festival, and continued to collaborate with artists on their portfolios and album covers. It was during this intense period of production that more personal projects emerged, such as De Peur que nous oubliions (For Fear of Forgetting), developed during the back and forth between Lille and Newfoundland.

In 2015, Mathieu Drouet left Lille to move in with his partner in Valencia, and Spain brought new life to his work, such as in the series First Meeting or In Fiction. Over the years, he has taught at ESJ, at communications school, at University of Lille III, and at the Catholic Institute of Lille as part of the general education courses. In addition to working with independent artists such as Xavier Brisoux, he has collaborated with Arte, Telerama, Radio France, and the Dour Festival.

Exhibitions

audioguid.es

Paris, Meaningful, 2022

digital art

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Grande Plage

Lille, 2016

digital art

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Espana

Lille, L'Univers, 2011

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Sprezzatura

Anne-Valérie Hash, Paris X, 2011

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Publications

Tennessee Moonshine

See online →

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Navire & Maisonnettes

See online →

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Taureau — Torture

See online →

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Interviews

Lensing Xavier Brisoux's Maille Haute-Sculpture: Interview with Photographer Mathieu Drouet

See online : Irenebrination

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Photographer aims to capture Newfoundland's war history

See online : CBC Radio Canada

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French photographers seek N.L. WWI connections for project

See online : CBC Radio Canada

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Grand Palais — Portrait de photographe : Mathieu Drouet

See online : Grand Palais

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Deux artistes, deux quartiers, et un livre habité à hauteur d'habitants

See online : La Voix du Nord

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Frequently asked questions

Who is Mathieu Drouet?

Mathieu Drouet is a French documentary photographer based between Lille (France) and Valencia (Spain). He has been photographing since 1989. His work is shaped by themes of memory, history, and transmission — particularly family. His main influences include Nan Goldin, Alec Soth, Stephen Shore, and Joel-Peter Witkin.

What does Mathieu Drouet photograph?

He works on documentary, concert, wine, food, fashion, and portrait photography, alongside long-form personal series. He has covered the rock scene in northern France and Belgium since 1993, documented wine estates across Bordeaux, Alsace, and Burgundy, and produced editorial, corporate, and personal projects.

How is the archive organised?

The archive is structured by collection: music (concerts, festivals, portraits), food and wine, fashion, corporate, exhibitions, and experiments. Each series has its own page with cover image, intro, body text, tags, and a full image gallery. The site mirrors its folder structure, so /archives/{collection}/{slug} corresponds to one body of work.

Can I reuse images from the archive?

All photographs are © Mathieu Drouet. Editorial reuse is allowed with credit and a link back to the original page; commercial reuse requires explicit permission. To request usage rights, exhibition prints, or commissioned work, please use the contact form at /contact.

How can I contact Mathieu Drouet?

The contact form at https://mathieu-drouet.com/contact is the preferred channel for press, exhibition proposals, licensing, and commissioning. Updates and recent work are also published on Instagram (@mathieu.drouet).

What is Hyperfocale?

Hyperfocale is the static photo archive that powers mathieu-drouet.com. It collects more than 250 series and 2700+ images spanning over three decades of photographic work, and is published as an open, file-based archive built with Astro.

Site team

Artistic Direction: Meaningful — thanks to Jennifer Tytgat, Marine Rouit-Leduc, Galilée Al Rifaï and Nicolas Rouit-Leduc.

Artistic Support: Stéphane Maguet for Meaningful.

Editorial Direction: Andrea Goulet.

HTML Integration: Paul Stilhart.

CMS Development: Mathieu Drouet for Légend.es.